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The Pan-African Circle of Artists

Le cercle pan-africain des artistes

 

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Ghana and PACA

Overcomingmaps 3

 

Ghana and PACA

by Peter Ezeh

 

The party of three of us: Dr Kunle Filani of Lagos State College of Education; the Rev Jaco Sieberhagen, the remarkable pastor/sculptor from South Africa, and I, had a relatively smooth time of it on our way to Accra from Lagos. I was already familiar with Jaco’s peculiar sculpture in which he breathes life into recovered objects. I had seen his statement about women intellectualism in a piece he made using a gourd that formed a woman shape, and he completed it by giving it an academic-board cap and decorating its face to present a very comely face of a shapely lady. He sent it as part of his participation in the exhibition by the Pan-African Association of Artists, PACA, ahead of his arrival in person but it was only the previous evening that I got the opportunity to meet him in the flesh. He had dropped in at Pendulum Gallery where I had gone to ask director Peter Areh to lend his computer to type the speech I was preparing for the Ghana event. The usual impossible schedules at school would not allow me to get the speech ready before arriving Lagos that eve of the commencement of the series of events that would round off this year’s edition of PACA’s study tour of selected African countries.


PACA is an association of visual art scholars for Africans and Africanists that began in University of Nigeria, Nsukka, a decade ago and has since 2001 always organized a first-hand visit to selected African countries interspersing this with symposia, exhibitions and talks with art and culture policy-makers as they go. This year they began in Lagos and went on to visit Benin Republic, Togo, Burkina Faso, and Mali, before holding the grand finale of the event in Accra, Ghana, from 26 January to 30 January.


Kunle, Jaco and I did not join the touring team. But we were all to give talks at theAccra event.


Yemisi Shyllon, a civil engineer and arguably Nigeria’s number-one private art collector, was also going toAccra in his capacity as PACA’s patron, but he was doing so as a VIP, to use the slang. So, ordinarily we wouldn’t count on his pleasant fate. But I was really worried about Jaco from the moment we left our hotel in the salubriously sleepy Lekki new suburb of Lagos Victoria Island districts. He was a first-time visitor and it could be dangerously deceitful to mistake the relative peacefulness of Lekki for the characteristic life in Lagos. I tried to hide my worry from Jaco although I made sure I suggested he should not be too trusting with important materials and money, or unwatchful of his luggage.


Happily there was no incident until we got to the airport. And it is easy to see why I felt so relieved if one knows that this is one of the places where violent criminals have got so daring that there was a report the other time of an attack on a bullion van that was being escorted by a crack detail of policemen armed to the teeth.


For a flight advertised for 9.55 am Nigerian time we deliberately got up by 5.00 a.m. in the morning for the less than 15 kilometre trip. Any time later would definitely mean that we would stay in the chaos of the immobile traffic jam until late forenoon at the luckiest.


Kunle, travelling from another part of the metropolis, apparently made a similar calculation, as would anyone familiar with Lagos. Shyllon walked up to the three of us a while afterwards and it was just seconds before all the five of us (including a friend of his due to travel in the same flight) were chatting away as if we had been chums for decades


From the Customs to the Immigration and whatnot, our airport experience was a pleasant surprise. We went through various counters relatively easily. The checks were meticulous, strict but straight. A man in civvies and of Caucasian features, most probably a non- Nigerian, carried out the last of these using some gadgets unfamiliar to me.


It wasn’t always like this. I remember having to fly off the handle at one point at the unending puerile searches and barefaced mendicancy by all sorts of posses of officials while returning from a conference from Austria in 1996. It was during the infamous General Abacha days. Late last year when I passed through this airport again I thought I was just being lucky. But the present experience seemed to have confirmed that the improvement in the behaviour of Nigeria’s security personnel at the airport was by design. As I will show below, sadly, this orderly stringent but straight checks at the airport formed a contrast with parallel activities at the land border.


As the state-of-the-art Emirate airbus took off you noticed if you looked down that the grassed portion of the airport had been burnt. It was the second time I saw an airport that was burnt in this manner. The first one was some years back at Enugu, about 500 kilometres southeast of Lagos. Enugu airport wasn’t yet burnt when I passed through there again this year but two footpaths run across its grassed area like the fume trailing a big jet. I understand that locals use them to walk to a nearby stream, their only source of water after the pipe-borne one stopped running for about one whole year now.


My impression of Ghana began at the Kotoka Airport. You answered your share of questions and if necessary got searched. The Customs marked a number on your luggage and if you had not got anything wrong, off you went.


For a citizen of ECOWAS, the Economic Community of West African States grouping the countries in this sub-region, the matter was even shorter and simpler. You could have been entering your village and being received by members of your kin group!


There was a small anxiety when Jaco using a different counter as a non-ECO WAS national hadn’t joined us immediately. When he eventually did he bore no grudges. He was satisfied that the officers were merely trying to be thorough in their job. With the post-9/11 uncertainty and international wrangles, you couldn’t take anything for granted anywhere, anyway.


For someone travelling from Nigeria, the contrast between these two English-speaking west African countries in terms of organisation was as marked as a tropical night and day. Outside the airport you found that every taxi you saw was painted a colour to distinguish it from cars that were used for other purposes. Besides this it mounted a roofbox proclaiming this status. Perhaps more importantly I later discovered, when I began using their services, how honest and friendly the cabbies themselves could be.


From the airport through the National Theatre to the famed W.E.B. du Bois International Centre venue of the events Shyllon was the avuncular big brother. I don’t remember having experienced such a rare blend of hilarity and intellectual depth in one man.


As we rode with him in the hired jeep in that roundabout jolly jaunt, he asked to be permitted to stop over at a bookshop to buy for his undergraduate daughter the textbooks they couldn’t get in Nigeria. This bookshop could have been a W.H.Smith! Here they are: the latest editions of Chinua Achebe’s novels I had always wanted to own. What I used to see in Nigeria were mainly pirated copies of the old editions. I also bought a copy of Karl Maier’s This House Has Fallen, which I had been hearing of but never before seen. It is the story of the Nigerian situation whose title the reporter took from novelist Achebe’s grim summary on the subject.


Bookshops in Nigeria used to be as well stocked as this too when I was growing up but not anymore. In lieu of that what you may see are open-air second-hand car sales depots with seas of flivvies of all descriptions. When lineups of these are not in filling stations waiting for petrol that is hardly ever there, their barely literate to stark illiterate drivers are in the streets driving with utter contempt to civilized traffic rules. You will be lucky each day you go home without being counted among the macabre statistics of the 15, 000 or so souls that they kill every year. The Federal Road Safety Commission that was once commanded by the Nobel winning writer Wole Soyinka to try to control such a senseless blood-letting used to warn in a newspaper advert that Nigeria held the world’s worst road accident records.


The PACA group had accepted to have a dinner in the house of Virginia Ryan, the wife of the Italian Ambassador who too is a painter and photographer and who was showing her works as one of the artists in Ghana. Up until 10pm local time there was no sign that the peripatetic artists were anywhere near the Ghanaian capital. It was the next day at the exhibition venue that we learnt that bad road and the condition of the old bus by which they were travelling from Mali combined to get them stranded until repairs had been carried out.


When Shyllon spoke during a vote of thanks at the dinner he touched on one marvel of the Ghanaian phenomenon. It was not so much a matter of having so much things work. Such attribute is comparable with PACA’s. With little or no money to spend, nevertheless, the team of Krydz Ikwuemesi, Ayo Adewunmi, both art lecturers, and their friends had done more for the promotion of art than some governments’ departments with fat budgets were able to do. Dr Joe Nkrumah made similar remarks regarding PACA when he spoke later two days afterwards at the symposium at du Bois Centre. Indeed it was the echo in the hall as one artist after another from all the participating countries spoke.


In his inimitable touch of humour, Shyllon said, “When I arrived here this afternoon I thought it was only to come and witness the PACAevent. I didn’t know it also had to it a deal to make me a millionaire. I changed $200 moments afterwards and I needed a basket to carry it home.”


Hearty laughter echoed from around the tables. Shyllon’s remark in a sense is food-for-thought for many other African countries. Amidst such relative poverty, the desperation for wealth at the expense of social order was nearly totally absent.
To get a taxi when we left that night, we walked some 100 metres, some of us strapping our bags. No one harassed us. Neither the taxi-man nor the passengers were afraid of each other. Note that in Lagos hijacking of buses, not to mention cars, is a common occurrence in daytime as in the night.


Kunle gave a demographic explanation to the Nigerian problem. “The population is just too much”, the art don said as we thought aloud on our way home. But neither of us was an economist nor a criminologist. However, it seems undebatable that the factors might lay deeper than that.


Whatever might be the real cause, the level of violence, often with strategies and weapons that no poor gang can afford, is serious symptom of a severe social disease. After a number of assassinations of some highly placed people in January and February this year, President Obasanjo said that violence had reached unacceptable dimensions. On Monday, 8 March, when the BBC asked its Lagos correspondent, former editor in chief of The Punch group and a veteran war reporter during the Biafran hostilities, Sola Odunfa, for a story on the latest murders, his emotion-laden voice gave a summary of the situation in his very first sentence. “These are really bad times in Nigeria for personal security generally”.


I was already on my way back to Nigeria when I saw the first Ghanaian policeman in uniform. I chose to travel by road, and the four of us passengers; two men, and two women, boarded the BMW saloon taxi. The driver asked for our permission to go and leave a message with his family in one of the Accra suburbs. It was on ourway that I saw the cop walking into one of the streets that formed a T-junction with the one we were in.


It should make an interesting case study in criminology that Ghana’s relaxed social life is with minimal police obtrusiveness. In the evening of the third day of our stay I had asked a question that set both our Ghanaian friends and Kunle laughing at my rather school-boy curiosity. “What is the colour of Ghana’s police uniform?”

Kunle trying hard to arrest his laughter told me that it was very nearly like Nigeria’s. He saw some policemen the previous evening when he had a walk. But everyone sympathised with the basis of my question. Kunle characteristically waxing philosophical once again said there were reasons for hope yet. “As the democracy becomes truly participatory,” he began, “there may be more improvement.”


It turned out that the couple riding with us in the taxi to Nigeria were ministers in one of the teeming new- generation miracle-seeking churches. The other lady was in transit through Ghana in a trip originating in a Middle Eastern country. As is now common in Nigeria, the church couple shouted prayers and chanted hardly melodious choruses for the better part of one hour.


What the Ghanaian end of the dirt road that links it with Togo lacked in good engineering it made up with cultured immigration formalities. Theirs was the only one of the four borders where officials took no bribes, or were rude.


When I compared notes with Krydz lkwuemesi who traveled with his colleagues in a chartered bus, he told me that things came to a head when he attempted to film the Togo-Ghana border. The officers almost seized his Cam-corder and nothing would make them let go until 10,000 CFA francs was paid as bribe. Here every person crossing must pay some unofficial amount to these powerful border personel. On the day we passed it was 2000 CFA francs for those with complete papers and 3000 CFA francs for those without.


The extortion continued at the Benin-Togo borders and hit its climax at the Benin-Nigeria border. Everyone in the car was more experienced than I on the route. They told me that we were witnessing a routine occurrence. The church couple told me that they themselves simply did not bother to get traveling papers. “What these people at the borders want is money” the man said in one of his unguarded moments. “They don’t want anybody’s papers.”


The driver said that he heard that the Togolese and the Beninoise began to extort in retaliation for what their
 

At the Benin-Nigeria border the church couple just alighted and were led through a certain path by unofficial escorts. They avoided the immigration posts. The lady travelling from the Middle East had no certificates for the compulsory yellow fever and cholera inoculations. The quarantine officers took 200 Naira from her and passed her. But all manners of Nigerians claiming to be on one or the other security checks lined up several metres after the conventional immigration booth. A good number of those had no uniform. At some point regular policemen were to be found too and such ones would usually ask some questions or sometimes look inside the car and permit you to go.


Those other ones were a different experience. In most places we encountered them they would demand passports. The two of us that had would show to them. The church couple would show ID cards of their sect. Lastly they would go to the driver and demand a tip. At a point the driver claimed he had run out of change and altercation ensued and yet at others he would resort to soft-soaping, depending on what he read as effective in the circumstance.
I decide to continue the journey to Enugu the same evening. As the ticket-seller put her pen to paper to write, off went the light. Everyone around welcomed the pitch darkness with a thunderous chorus, “NEPA!” One voice in our queue added, “Never Expect Power Always!” Actually the correct name of this monopolist supplier of electricity is National Electric Power Authority. Anyway, in Ghana they now not only expect power always, they have it always too. In my one week there, there wasn’t a blackout for once and I was told, for indeed several years now.


Dr Emma Igbo, a sociologist who had been to a conference in Ghana in 1996, listened to my story of improvement in that country with utter disbelief. “Their situation was even worse than Nigeria’s,” he said. My reply was that his observation only served to buoy up my spirit further. If Ghana that I just saw was that bad a mere seven years ago, then it seems that improvement for any other country is indeed just one truly participatory democracy away.
 

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The Pan-African Circle of Artists

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