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The Pan African Circle of Artists

Le Cercle Pan-Africain des Artistes

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OVERCOMlNG MAPS 4

Report

The study tour of East Africa by The Pan African Circle of Artists began on the 22nd of November, 2005 when the Nigerian party, made up of Ayo Adewunmi, Abel Mac Diakparomre, Grace Ngozi Ojie, and Chikwe Eheli, converged at the Murtala Mohammed International Airport in Lagos, Nigeria to commence the journey to Uganda and Kenya. Initially, many PACA-Nigeria members had hoped to participate in the tour, but due to lack of sponsorship only the aforementioned artists could make the trip. The group flew first to Nairobi, Kenya and then journeyed by road to Kampala, Uganda, to commence the tour, and then returned to Nairobi for the Kenya aspect of the tour.

November 23, 2005

On arrival in Nairobi, Lorraine Amollo, a Kenyan artist was at the airport to receive the party and guide it to Akamba Transport Company in main-town Nairobi for the road journey to Kampala. The party arrived the border town of Busia at about 3.30 pm. It was observed at the border that there was orderliness in the transactions of the immigration and customs officials. This was a clear departure from our experiences of corrupt and tardy practices during similar tours in the West African sub-region in the previous years. The journey continued from Busia to Kampala. It must be observed however that the condition of the road was so bad that it took much longer to cover the distance between Nairobi and Kampala. The state of the road also made the journey extremely stressful.

The party arrived Kampala at about 7.0Opm to the welcoming hands of Henry Mujunga, the Assistant Project Coordinator and Daudi Karungi, the Director/Founder of Afriart Gallery in Kampala. From the bus terminus, the party left for Catherine Hotel located in Wandegeya where lodging accommodation had been reserved.

November 24, 2005

A visit was paid to the Margaret Trowell School of Industrial and Fine Arts of the Makerere University in Kampala. This visit was under the guidance of Enoch Mukubi. On the way to the University, however, the party made a brief stop-over at the studios of Enoch Mukubi on Kampala Road. At the Margaret Trowell School of Industrial and Fine Arts, the party, which now included some Ugandan artists, met Dr. George Kyeyune, a lecturer in the School, who conducted the party round the departmental infrastructure.

The Margaret Trowell School of Industrial and Fine Arts is structured into the Department of Industrial and the Department of Fine Arts. Dr. Kyeyune explained that the department admits persons to a three-year programme because the admission requirements stipulate that places are available for only holders of Advanced Level qualification in General Certificate of Education examinations.

At the time of this visit, a workshop was holding in the school's gallery. As a result, many of the gallery exhibits had been removed to the store. The party was, however, granted access to the store where the objects were kept. The party particularly observed the jewellery collection which Dorah Kasozi, a lecturer in Fashion design, explained were made from locally sourced materials.

After the tour of the department, the party had lunch and thereafter proceeded to the venue of the Roundtable Conference at the main exhibition hall of Uma Showground, Lugogo. Daudi Karungi, Founder of Africart Gallery made this venue available at his expense and as his contribution to the event. His solo exhibition was also running at the time of the visit.

The roundtable was well attended by Ugandan artists in spite of the political situation in the country as at the time of the visit. The lead speaker, Dr. George, Kyeyune, of the School of Industrial and Fine Arts, Makerere University, presented his paper which examined the background of art in East Africa against the situation of contemporary art and aesthetic education in the sub-region. He discussed the  need for art and the society to engage in meaningful and productive dialogue. Thereafter, the roundtable Chairman, Abel Diakparomre (Vice President of PACA-Nigeria) moderated discussions, comments, and questions. At the end of the discussions, Henry Mujunga gave a vote of thanks. The event was closed with a group photograph of all participants.

November 25, 2005

On this day, the party visited the National Arts and Culture Centre that houses art shops and Alliance Francaise du Kampala. Craftsmen produce and sell their local crafts at the venue. The party also visited the Tulifanya Gallery. Works in the in the gallery included those of Eria 'Sane' Nsubuga, the party's tour guide for the day. Most of the works on display were paintings by Ugandan and Tanzanian artists. From here, the party went to see the historic Kusubi Tombs.

November 26, 2005

The party left Hotel Catherine at about 6.00 am for Akamba Bus Terminus where it boarded a bus for Nairobi Kenya. The journey back to Nairobi provided opportunity for members of the party to note some interesting landmarks on the Kampala-Busia-Nairobi route. The sides of the road were intermittently adorned with deep valleys. In between the valleys were sugarcane plantations which bear evidence of the two counties' richness in sugar production.

Tea plantations were other noticeable landmarks on the route. The Kampala-Nairobi road features plateaux on which tea plantations are located. The principal centre for cultivation and processing is Kericho. On this road also lies part of Lake Victoria and part of the Nile River at Jinja. The electricity power used by the whole of Uganda, according to informants, is generated from a hydro-electric system at Jinja. Other things found on the road included rice plantations, which as the party was informed, are owned by Asian farmers. These plantations show the strength of agriculture in the economy of Uganda and Kenya.

The party also observed certain peculiarities in the traditional architecture of the two countries. It was observed that in Kenya, the traditional houses were built mainly on square plans but in Uganda, the houses are mainly from round plans. The two countries share a common characteristic of utilizing cut stones in the building of houses. These stones are machine-cut and are laid like normal cement blocks and chucked with cement mortar. The house is left unpainted and thus both the material and method of building are exhibited.

The party arrived Nairobi at about 8.0Opm. Again, Lorraine took the party in her car to a Hotel for lodging.

November 27, 2005

This day was scheduled for sight-seeing. Being a Sunday, some members of the party took off time to worship in churches located around the Hotel. At about 11.OOam, the party's guide, Lorraine Amollo, arrived at the hotel. The party then visited the Nairobi Shopping Plaza where an exhibition of Crafts was going on. Crafts on display at the exhibition depicted the rich cultural heritage of Kenya in particular and East Africa generally. Some contemporary artists also had stands at this exhibition. The party had discussions with some of them. Lorraine was one of the contemporary artists at the exhibition.

At noon, Ramalo Eateries at the City centre was the choice of the party for lunch. This choice was in order that the party may have a taste of Kenyan local meals. After lunch and further sight-seeing around the city centre, the party retired to the hotel at about 6.00pm to tidy up the report of the study tour of Uganda.

November 28, 2005

This was a rather busy day. The party departed the hotel for GoDown Art Centre, the proposed venue for a Roundtable and workshop. The Director of Kuona Trust who was supposed to assist with arrangement for the Roundtable and workshop was not available. Also, there was no evidence that the Director delegated anyone to act on his behalf. However, the Outreach and Communications Coordinator of the Trust, Mutheu Mbondo, received the party and introduced it to some of the artists-in-residence. As it was obvious that the Roundtable could not hold in Nairobi, the party spent time to discuss with Kenyan artists and interviewed some of them. Those interviewed included Ogonga Thorn. The party also visited Rumoma Gallery on the ground floor of the Rahimtulla Tower on Upper Hill Road. James Mbuthia, the working Coordinator of the gallery told the party that the works of about 500 artists Thorn within and outside Nairobi were on display. Images seen in the gallery exhibited certain similarities with the art of West Africa.

At 4.00pm, the party visited the University of Nairobi. Beginning from the main campus, the party went round the Art and Design Department of the University. Lorraine Arnollo, a post-graduate student of the department conducted the party round. The party also had a brief discussion with Lilac Osanjo of the Graphics section and John Mayenga of the Textiles Design section. Both are lecturers in the Art and Design Department. As the sun set on this particular day, it also drew the curtain on the programme of Overcoming Maps 4. A get-together was held later in the evening to mark the end of the Study Tour.

Although it is obvious that all aspects of the tour were not fully realised, it remains an eye-opening experience for the Nigerian and East African participants. Not only did it help the participants to appreciate the art and social experience of each side better through the discursive and practical exchange of ideas, it also challenged them to rethink some of the realities in their various countries as they affect them as artists and citizens of those countries.

 
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