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The Pan African Circle of Artists

Le Cercle Pan-Africain des Artistes

PACA's 2001 Peace Day at Enugu

Art Summit | PACA's 2001 Peace Day at Enugu

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Welcome to PACA Workshop

 

Workshops organised by The Pan African Circle of Artists as part of its effort at creating sustainable awareness for art and culture and their socialising implication in our societies.

 

Foreword

 


PACA's 2001 Peace Day at

Institute of Management and Technology, Enugu


The concept and pursuit of peace are co-eval with human society. The modern world has gone through multiple gory experiences which have fore-grounded the indispensability of peace to the continuance of society, the perpetuation of mankind, and even the quest for immortality.
 
Much as peace, it seems, continues to elude the highly harassed modern world, it remains one of the artist’s most enduring themes, be it in music, poetry, or the visual arts. This is obvious, especially if art is seen as the contemplation of truth, even when it is employed in the dangerous service of politics. Thus art itself becomes a variant of peace; for when the dynamics and revolutions of politics and science torment the world, art has always been the antidote, the cleansing ritual. Little wonder, then, that artists should focus on peace in such an open annual workshop.
 
When I first proposed the PACA Annual Peace Workshop in 1999 as our contribution to the global effort at the enthronement of peace as a means to the amelioration of the human condition and the perpetuation of the human race, I met with stout opposition from some of my associates who could not “understand why artists should be made to gather for a subject so trivial as peace”! But after visiting Hiroshima in 2001 and seeing Japan’s inspiring attitude to the unforgettable, titanic tragedy of August 6, 1945, I am more convinced than ever that the committed artist must function as the conscience of his society and that art can heal the wounds inflicted by the flux and flame of politics. This is what the PACA-Peace workshop hopes to demonstrate, and it is my earnest hope that it shall soon become a truly annual event, one that both the artists and the troubled public would look up to every year.
 
C. Krydz Ikwuemesi,
(painter, theorist),
International Secretary,
The Pan-African Circle of Artists
 

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